In Steve Sailer’s review of The Fabelmans (which I reviewed here) he writes

In Hollywood, Jews tend to dominate the business side, less so the screenwriting side, even less directing, and least of all cinematography and acting

I responded skeptically regarding their representation in acting was as low as for cinematography, and decided to do a quick investigation in the spirit of my earlier look into #OscarsSoWhite (which specifically acknowledged the lack of any listing of Jewish nominees on Wikipedia).

The Academy Award for Best Cinematography ceased to be divided into black & white vs color awards in the 40th ceremony, so that is where I started counting winners. Wikipedia identified 4 such cinematography awards as going to people of Jewish descent (I am not going to count partial descent as a fraction, since I just want a ratio between branches and can just apply the same rule to all). Three of them were back-to-back awards for when Emmanuel Lubezki did Gravity, Birdman & The Revenant, while the first such one in my list is Haskell Wexler’s for Bound for Glory. I first decided to check Best Actress as a comparison, since the (heavily male) director’s branch could skew things via actor-directors or casting an ethnic standin (as Mike Nichols did casting Dustin Hoffman instead of Robert Redford in The Graduate). I found five such awards in that time period, without any Jewish women winning multiples. They were Barbra Streisand in Funny Girl, Marlee Matlin in Children of a Lesser God, Gwyneth Paltrow in Shakespeare in Love, Natalie Portman in Black Swan and Julianne Moore in Still Alice. I was surprised by that last actress, and surprised that neither Helen Mirren nor Emma Stone were Jewish.

Since that was only one more, I then looked to see if Best Actor could settle things, and it did. Richard Dreyfuss, Dustin Hoffman, Paul Newman, Michael Douglas, Adrien Brody and Joaquin Phoenix have all won one, while Sean Penn won two and Daniel Day-Lewis won three (with those larger numbers I won’t bother listing films except to note that The Graduate wasn’t Hoffman’s). So whether one wanted to restrict it to men who won a single award, or just to ones who won multiples, theirs would still outnumber the total number of cinematography awards given to Jews.

Finally, I should note that my reason for skepticism dates back to hearing Barry Sonnenfeld say he was relatively atypical as a Jewish cinematographer, and knowledge that Jews have been prominent in acting going back to when Broadway/vaudeville were bigger than movies.